N.O.S 2008 LES PAUL STANDARD SLASH SIGNATURE GOLD TOP SIGNED Limited Edition New Conditions UNPLAYED code GI23
Signed by Slash himself, all papers, docs, tags, original case included! Limited edition to 1000 units worldwide
https://www.youtube.com/watch?v=iSyuh-nICgU
https://www.youtube.com/watch?v=u8Jkhw_EXk8
https://www.youtube.com/watch?v=ytnfybu2P8Y
Rock and roll lost its focus in the late ’70s. That is, until the arrival of an
old-school guitar slinger with a Gibson Les Paul around his neck. Armed with
only Les Pauls, Slash singlehandedly slammed rock and roll back on course. The
new Slash Signature Goldtop from Gibson USA is a heartfelt tribute to this
iconic rocker, and one of his most beloved guitars. The new Slash Goldtop offers
an un-chambered mahogany body with Gibson’s traditional weight relief system. A
hand-carved maple top is then painted with Gibson’s classic Bullion Gold finish.
A pair of Seymour Duncan Alnico II pickups provides all the power, punch and
performance expected of a Slash Les Paul. The mahogany neck features a
Slash-designed hybrid profile matching the roundness of a ’50s neck with the
slimness of an early ’60s neck. New wiring, caps, resistors and tone pots give
it its own unique tone, and the revolutionary Plek system delivers a
computer-controlled set up that measures and dresses each fret. Other features
include a TonePro Tune-o-matic bridge and stopbar, Kluson-style Gibson tuners, a
certificate of authenticity signed by Slash, and a custom-made hardshell case
with a screened Slash logo. The new Slash Signature Goldtop from Gibson USA is a
fitting tribute to a true rock music legend, and limited to just 1,000 guitars
worldwide.The
Gibson Logo
Some of the best guitars ever produced have proudly displayed the Gibson logo.
The logo itself is made from hand-cut mother of pearl, inlayed into a pressed
fiber-head veneer, glued to the face of the mahogany headstock, and protected by
a thin coat of lacquer.Some of the best guitars ever produced have proudly
displayed the Gibson logo. The logo itself is made from hand-cut mother of pearl,
inlayed into a pressed fiber-head veneer, glued to the face of the mahogany
headstock, and protected by a thin coat of lacquer.Angled
Headstock
Carved out of the same piece of mahogany as the neck and precisely angled at 17
degrees, the Gibson headstock increases the pressure on the strings and helps
them to stay in the nut slots. This also diminishes the loss of string vibration
between the nut and the tuners, which equals better sustain. Unique to the Slash
Signature Les Paul Goldtop from Gibson USA is the artwork and logo personally
designed by the legendary guitarist and positioned in the center of the
headstock where the €œLes Paul Model€ script would normally be found.Carved
out of the same piece of mahogany as the neck and precisely angled at 17 degrees,
the Gibson headstock increases the pressure on the strings and helps them to
stay in the nut slots. This also diminishes the loss of string vibration between
the nut and the tuners, which equals better sustain. Unique to the Slash
Signature Les Paul Goldtop from Gibson USA is the artwork and logo personally
designed by the legendary guitarist and positioned in the center of the
headstock.
Adjustable Truss Rod
Gibson introduced the adjustable truss rod in the early 1930s and instantly
revolutionized the guitar. Before this important innovation, the truss rod was
used primarily to strengthen and stabilize the neck of the guitar. Now it€™s
the safest and most efficient way to straighten the neck, and allows a guitar to
be set up using a variety of string gauges and string heights to accommodate any
style of playing. In addition, by placing it at the base of the headstock, the
adjustable nut is easily accessible, making any adjustment possible even while
the strings are still on the guitar.Gibson introduced the adjustable truss rod
in the early 1930s and instantly revolutionized the guitar. Before this
important innovation, the truss rod was used primarily to strengthen and
stabilize the neck of the guitar. Now it€™s the safest and most efficient way
to straighten the neck, and allows a guitar to be set up using a variety of
string gauges and string heights to accommodate any style of playing. In
addition, by placing it at the base of the headstock, the adjustable nut is
easily accessible, making any adjustment possible even while the strings are
still on the guitar. Slash-designed Neck ProfileThe
neck on the Slash Signature Les Paul Goldtop is modeled after the necks on
Slash€™s personal Les Pauls, which feature characteristics of both of Gibson€™s
traditional profiles €“ rounder, yet slim. The necks on all of Gibson USA€™s
guitars are machined in a rough mill using wood shapers to make the initial cuts.
Once the fingerboard gets glued on, the rest of the construction€”including the
final sanding €” is done by hand, which ensures that every neck will have its
own distinct, but traditional, feel.The neck on the Slash Signature Les Paul
Goldtop is modeled after the necks on Slash€™s personal Les Pauls, which
feature characteristics of both of Gibson€™s traditional profiles €“ rounder,
yet slim. The necks on all of Gibson USA€™s guitars are machined in a rough
mill using wood shapers to make the initial cuts. Once the fingerboard gets
glued on, the rest of the construction€”including the final sanding is done by
hand, which ensures that every neck will have its own distinct, but traditional,
feel.22-Fret
Rosewood Fingerboard
The rosewood used by Gibson is inspected and qualified before it enters the
factories. Noted for its denseness and resiliency, rosewood makes fingerboards
extremely balanced and stable, and gives each chord and note an unparalleled
clarity and bite. The 12-inch radius of the fingerboard provides smooth note
bending capabilities and eliminates €œdead€ or €œchoked out€ notes, which
can occur on fingerboards with lesser radiuses.The rosewood used by Gibson is
inspected and qualified before it enters the factories. Noted for its denseness
and resiliency, rosewood makes fingerboards extremely balanced and stable, and
gives each chord and note an unparalleled clarity and bite. The 12-inch radius
of the fingerboard provides smooth note bending capabilities and eliminates €œdead€
or €œchoked out€ notes, which can occur on fingerboards with lesser radiuses.
Nickel and Silver Alloy Fret Wire
A combination of nickel and silver alloy (approximately 80 percent nickel and
20 percent silver) is shaped by hand into Gibson€™s traditional €œmedium-jumbo€
size and cut to an exact 12-inch radius. Each one is then hand-pressed into the
fingerboard, where a machine then finishes the job to eliminate any gap that
might exist between the bottom of the fret wire and the fingerboard.A
combination of nickel and silver alloy (approximately 80 percent nickel and 20
percent silver) is shaped by hand into Gibson€™s traditional €œmedium-jumbo€
size and cut to an exact 12-inch radius. Each one is then hand-pressed into the
fingerboard, where a machine then finishes the job to eliminate any gap that
might exist between the bottom of the fret wire and the fingerboard.
Classic Trapezoid InlaysTrapezoid
inlays have graced the fingerboards of the most iconic stringed instruments in
the world, including the Slash Signature Les Paul Goldtop from Gibson USA. They
are manufactured from figured, swirl acrylic to get that €œclassic€ pearl
look then inserted into the fingerboard using a process that eliminates gaps,
thus eliminating any need to use fillers.Trapezoid inlays have graced the
fingerboards of the most iconic stringed instruments in the world, including the
Slash Signature Les Paul Goldtop from Gibson USA. They are manufactured from
figured, swirl acrylic to get that €œclassic€ pearl look then inserted into
the fingerboard using a process that eliminates gaps, thus eliminating any need
to use fillers.
Set-Neck Construction
All Gibson Les Pauls feature a glued neck joint, guaranteeing solid €œwood-to-wood€
contact between the neck and the body, leaving no air space in the neck cavity,
and allowing the neck and body to function as a single unit. The neck on the
Gibson USA Slash Signature Les Paul Goldtop also features a historically correct
short-neck tenon, which goes deeper into the body of the guitar to enhance tone
and sustain and eliminate the possibility of a loose or misaligned neck.All
Gibson Les Pauls feature a glued neck joint, guaranteeing solid €œwood-to-wood€
contact between the neck and the body, leaving no air space in the neck cavity,
and allowing the neck and body to function as a single unit. The neck on the
Gibson USA Slash Signature Les Paul Goldtop also features a historically correct
short-neck tenon, which goes deeper into the body of the guitar to enhance tone
and sustain and eliminate the possibility of a loose or misaligned neck.
Unchambered Solid Mahogany Body.
As with all the wood that enters Gibson€™s factories, the maple and mahogany
used to build the Slash Signature Les Paul Goldtop is personally inspected and
qualified by a team of skilled wood experts. Inside the Gibson factories,
humidity is maintained at 45 percent, and the temperature at 70 degrees, which
guarantees that all woods are dried to a level of €œequilibrium€ where the
moisture content does not change during the manufacturing process. This
guarantees tight-fitting joints and no expansion, and controls the shrinkage and
warping of the woods, in addition to reducing the weight. It also helps improve
the woods€™ machinability and finishing properties and adherence to glue.
Consistent moisture content means that every new Slash Signature Les Paul
Goldtop will respond evenly to temperature and humidity changes long after it
leaves the factory.As with all the wood that enters Gibson€™s factories, the
maple and mahogany used to build the Slash Signature Les Paul Goldtop is
personally inspected and qualified by a team of skilled wood experts. Inside the
Gibson factories, humidity is maintained at 45 percent, and the temperature at
70 degrees, which guarantees that all woods are dried to a level of €œequilibrium€
where the moisture content does not change during the manufacturing process.
This guarantees tight-fitting joints and no expansion, and controls the
shrinkage and warping of the woods, in addition to reducing the weight. It also
helps improve the woods€™ machinability and finishing properties and adherence
to glue. Consistent moisture content means that every new Slash Signature Les
Paul Goldtop will respond evenly to temperature and humidity changes long after
it leaves the factory.
Seymour Duncan Alnico II Pro Pickups
The pickups in the Slash Signature Les Paul Goldtop from Gibson USA are
identical to the ones used by Slash in all his Les Pauls. €œI have Seymour
Duncan Alnico IIs in all my Les Pauls,€ Slash says. €œThey€™re just great
pickups. They€™re actually low-output pickups so they€™re a little bit cleaner
than your average humbucker. They€™re very sweet sounding. They handle gain
very well, and they don€™t over distort. They don€™t try and add any phony
dynamics that I don€™t need. They€™re as natural sounding as I can get.€ The
Alnico II magnets on these Seymour Duncan pickups yield a warm, sweet tone with
more natural string vibration for increased sustain. Since Slash gets most of
his distortion from the amp rather than the pickup, these pickups allow him to
back off the crunch and achieve beautiful, clean tones with a softer attack.The
pickups in the Slash Signature Les Paul Goldtop from Gibson USA are identical to
the ones used by Slash in all his Les Pauls. €œI have Seymour Duncan Alnico IIs
in all my Les Pauls,€ Slash says. €œThey€™re just great pickups. They€™re
actually low-output pickups so they€™re a little bit cleaner than your average
humbucker. They€™re very sweet sounding. They handle gain very well, and they
don€™t over distort. They don€™t try and add any phony dynamics that I don€™t
need. They€™re as natural sounding as I can get.€ The Alnico II magnets on
these Seymour Duncan pickups yield a warm, sweet tone with more natural string
vibration for increased sustain. Since Slash gets most of his distortion from
the amp rather than the pickup, these pickups allow him to back off the crunch
and achieve beautiful, clean tones with a softer attack.
Gibson€™s Classic Bullion Goldtop Finish
The body of the Slash Signature Les Paul Goldtop from Gibson USA is painted
with the same finish found on the first Les Paul model in 1952 €“ Bullion Gold.
Les Paul himself and long-time Gibson executive Maurice Berlin originally
settled on the gold finish in the early 1950s because they wanted the guitar to
convey an impression of being €œexpensive,€ the €œbest,€ and most €œsuperb,€
and felt the color of gold would achieve this. The craftsmen at Gibson USA have
worked closely with Slash to match the hue of the Goldtop finish on Slash€™s
original guitar.The body of the Slash Signature Les Paul Goldtop from Gibson USA
is painted with the same finish found on the first Les Paul model in 1952 €“
Bullion Gold. Les Paul himself and long-time Gibson executive Maurice Berlin
originally settled on the gold finish in the early 1950s because they wanted the
guitar to convey an impression of being €œexpensive,€ the €œbest,€ and
most €œsuperb,€ and felt the color of gold would achieve this. The craftsmen
at Gibson USA have worked closely with Slash to match the hue of the Goldtop
finish on Slash€™s original guitar.Binding
The binding on a Les Paul Standard, or any other Gibson guitar, is a
fundamental part of the company€™s rich, guitar-making history. Though some
people assume it is applied for aesthetic purposes only, the binding actually
protects the body€™s edges against damage and eliminates the sharp edges of the
frets, providing a much smoother neck and easier playability. The process of
applying the binding to any Gibson guitar is something that has to be seen to be
truly appreciated. A lone craftsman carefully glues and fits two pieces of
binding around the entire body of a Les Paul. A single, very long piece of
narrow cloth is wound around the entire body until the entire surface is nearly
covered. The body is then hung to dry for a full 24 hours before it is unwrapped
and moved into the next phase of production. It has been done the same way at
Gibson for over 100 years.The binding on a Les Paul Standard, or any other
Gibson guitar, is a fundamental part of the company€™s rich, guitar-making
history. Though some people assume it is applied for aesthetic purposes only,
the binding actually protects the body€™s edges against damage and eliminates
the sharp edges of the frets, providing a much smoother neck and easier
playability. The process of applying the binding to any Gibson guitar is
something that has to be seen to be truly appreciated. A lone craftsman
carefully glues and fits two pieces of binding around the entire body of a Les
Paul. A single, very long piece of narrow cloth is wound around the entire body
until the entire surface is nearly covered. The body is then hung to dry for a
full 24 hours before it is unwrapped and moved into the next phase of
production. It has been done the same way at Gibson for over 100 years.
TonePros Tune-O-Matic Bridge and Stopbar Tailpiece
The Tune-o-matic bridge on the Slash Signature Les Paul Goldtop from Gibson
USA is TonePros€™ Model TP6, which is the locking version of the Nashville
Tune-o-matic, combined with TonePros€™ T1ZSA aluminum featherweight locking €œstopbar€
tailpiece. Both pieces are exactly as they are on Slash€™s original Les Paul.
The original Tune-o-matic bridge was the brainchild of legendary Gibson
president Ted McCarty in 1954, and was a true revelation in intonation, setting
a standard for simplicity and functionality that has never been bettered. This
pioneering piece of hardware provides a firm seating for the strings, allowing
the player to adjust and fine-tune the intonation and string height in a matter
of minutes. It also yields a great union between the strings and body, which
results in excellent tone and sustain. To this day, the Tune-o-matic remains the
industry standard. It is the epitome of form and function in electric guitar
bridge design, and is one of the most revered and copied pieces of guitar
hardware ever developed.The Tune-o-matic bridge on the Slash Signature Les Paul
Goldtop from Gibson USA is TonePros€™ Model TP6, which is the locking version
of the Nashville Tune-o-matic, combined with TonePros€™ T1ZSA aluminum
featherweight locking €œstopbar€ tailpiece. Both pieces are exactly as they
are on Slash€™s original Les Paul. The original Tune-o-matic bridge was the
brainchild of legendary Gibson president Ted McCarty in 1954, and was a true
revelation in intonation, setting a standard for simplicity and functionality
that has never been bettered. This pioneering piece of hardware provides a firm
seating for the strings, allowing the player to adjust and fine-tune the
intonation and string height in a matter of minutes. It also yields a great
union between the strings and body, which results in excellent tone and sustain.
To this day, the Tune-o-matic remains the industry standard. It is the epitome
of form and function in electric guitar bridge design, and is one of the most
revered and copied pieces of guitar hardware ever developed.
BODY
Body Style: Les Paul
Top Species: Maple
Back Species: Solid Mahogany
Binding: Single-ply Cream
FINGERBOARD
Fingerboard Species: Rosewood
Scale Length: 24 3/4"
Number of Frets: 22
Inlays: Acrylic Trapezoid
Fingerboard Binding: Single-Ply Cream
ELECTRONICS
Neck Pickup: Seymour Duncan™ Alnico Pro-II humbucker
Bridge Pickup: Seymour Duncan™ Alnico Pro-II humbucker
Controls: 2 volume, 2 tone, 3-way selector switch
NECK
Species: 1 Piece Mahogany with short neck tenon
Profile: “Slash-Profile™”
Peghead Pitch: 17
Nut: Corian
Nut Width: 1 11/16"
HARDWARE
Plating Finish: Nickel
Tailpiece: Tone Pros - light stop-bar tailpiece
Bridge: Tone Pros - Nashville TOM
Knobs: Amber tophats
Tuners: Schaller vintage tulips
Strap Buttons: NKL Schaller strap locks